The Australian production of the multi-award winning and record breaking musical CHICAGO is back in Melbourne! This time around, the production brings some of the biggest names in Aussie talent and locks them away in Cook County Jail, where we see them all successfully steal the show. It's easy to see why CHICAGO is the longest running American musical in Broadway and West End history, and the Australian cast manages to bring the glitz, glamour and jazz to life; taking us on an adventure filled with murder, enticing choreography and a lust for fame.
CHICAGO boasts some of Australia's household names - with the fame-obsessed murderess and bedroom chorus girl Roxie Hart played by Lucy Maunder, and glamorous vaudevillian Velma Kelly by musical theatre star Zoë Ventoura. The pair have an incredible energy on-stage as their rivalry and comradery blossoms throughout the show. Asabi Goodman shines as prison warden Matron 'Mama' Morton, and the charismatic lawyer of the people, Billy Flynn, is played by superstar Anthony Warlow. Peter Rowsthorn, who plays Roxie's innocent but lovable husband Amos Hart, brings in the laughs; the cast finding the sweet spot for cynical comedy.
Highlights from Act I include Velma Kelly opening with All That Jazz, Velma and Mama Morton's iconic Whatever Happened to Class?, as well as the origin story of each inmate with Cell Block Tango. Asabi Goodman dishes up a stand-out performance of When You're Good To Mama, and Lucy and Zoë deliver on the duet of My Own Best Friend. In Act II, we laughed and we cried as Peter Rowsthorn performed his comedic routine of Mr Cellophane, and Anthony Warlow took over with Razzle Dazzle.
CHICAGO is tongue-in-cheek, hilarious and is extremely self-aware. With the characters far from perfect - each rough around the edges and on their own personal agenda - be warned that these hardened criminals will find a way to melt your heart.
CHICAGO will be playing at Her Majesty’s Theatre in Melbourne before heading to Sydney and Adelaide.
For tickets, please click here.
Photo Credit: Jeff Busby
Returning to Melbourne's theatre scene for its third run, Wicked is back and better than ever! The Regent Theatre has been transformed into the magical world of Oz; ready to share the untold story of its characters. After enchanting audiences across the world, we're excited to have the show back in our city, and were honoured to be invited to the opening night for an extra special performance of the award-winning show.
Directed by Lisa Leguillou (based on the original production directed by Joe Mantello), Wicked follows the unlikely friendship between Elphaba and Glinda, and the secrets they uncovered together. With a story written by Winnie Holzman, which was based on the book by Gregory Maguire, Wicked's production and especially musical numbers (written by Stephen Schwartz), have become iconic since its first performance back in 2003. Needless to say, we were ready for a rollercoaster of emotions, as well as plenty of singing along.
From the moment we took our seats, we were instantly transported to the fantastical world of Oz; from the Clock of the Time Dragon to the brilliantly painted map onstage. Wicked's set design could never be faulted - seamlessly blending the whimsy and mystery surrounding the production's narrative. As always, the set design (meticulously created by Eugene Lee) and its attention to detail is incredible, and is the real magic that pulls the show together.
The heart of Wicked lies in its powerhouse performances, which the Melbourne cast have absolutely nailed. The chemistry between the two leads, Elphaba and Glinda, played by Sheridan Adams and Courtney Monsma, is nothing short of magical. Adams effortlessly embodies the complexity of Elphaba; portraying the character's transformation from an outcast to a powerful force to be reckoned with. In contrast, Monsma brings an infectious energy to Glinda; infusing the character with humour and warmth, and a generous dose of valley girl attitude. Stand-out performances are the fantastic Robyn Nevin as Madame Morrible, Simon Burke as the mysterious Wizard, and Liam Head as the loyal Fiyero - who all play their parts brilliantly.
The vocal performances throughout the production are outstanding; with the ensemble cast delivering powerful renditions of the show's iconic songs such as Dancing Through Life, Popular, As Long as You're Mine, No Good Deed and of course Defying Gravity. The orchestra, under the skilful direction of David Young, enhances the emotional impact of the music, creating a sensory landscape that elevates the overall theatrical experience.
While Wicked has graced Melbourne's stages before, this third run feels as fresh and enchanting as ever, and dare we say it - the best yet. The timeless story, coupled with the impeccable production values and stellar performances, cements its place as a must-see theatrical experience. As the final curtain fell, the thunderous applause from the audience echoed the sentiment that Wicked continues to cast its spell over Melbourne, and will do for many more years to come.
Photo Credit: Jeff Busby
In honour of its remarkable 50th anniversary, the legendary rock 'n roll musical, The Rocky Horror Show, is back in Melbourne! Australian superstars Jason Donovan returns as the iconic Frank N Furter, and Joel Creasey debuts as the Narrator. With its legacy rooted in the genius of Richard O'Brien, The Rocky Horror Show has become an adored musical worldwide; holding the honour of being the only contemporary rock musical to achieve half a century of stage success. Originally debuting in 1973, this mischevious musical has enthralled over 30 million spectators across 30 countries over the years - transcending language barriers with translations in 20 languages.
The show boasts an exceptional cast, featuring Jason Donavan as Frank N Furter; who captures the mad scientist in all his glory, in what is hands down one of our favourite takes on the character. The hilarious Joel Creasey stars as the Narrator, and is as quick on his feet as ever, in what was a very improvised role throughout the show. Wasting no lines thrown at him from the audience, Creasey was quick to fire back at any heckles thrown his way, much to the audience's delight. Starring as Brad and Janet is the talented Blake Bowden and Deirdre Khoo, as well as Ellis Dolan who plays Eddie and Dr Scott, Darcey Eagle as Columbia, and Daniel Erbacher as Rocky. Henry Rollo and Stellar Perry's Riff Raff and Magenta are standouts in the show; both with incredible voices and a playfulness that complemented the characters well.
From the start of its haunting opening number Science Fiction/Double Feature, the show was captivating from the very beginning; and so clearly loved by so many generations. Dammit, Janet saw a charming duet between leads Brad and Janet - perfectly setting up the couple for their journey into the strange world of Dr Frank N Furter, while the iconic Time Warp encouraged the audience to sing and dance along. Jason Donovan's first appearance as Frank N Furter was of course heralded by the electrifying Sweet Transvestite; which was easily a show highlight, which had everyone cheering and whooping along. Other musical standouts included Eddie's solo Hot Patootie, Bless My Soul and Janet's empowering Touch-a, Touch-a, Touch-a, Touch Me, which showcased Deirdre Khoo's voice perfectly.
Needless to say, the set design for the anniversary shows is top notch - with some impressive scenery, and plenty of kitschy sci-fi props to boot. No exceptions have been made for the incredible lighting effects which are seen throughout, while the show's live band and back-up singers/dancers are just the cherry on top. With high levels of audience participation encouraged, the show was full of singing and dancing along moments, as well as what has become Rocky Horror tradition - line call backs. With every show bound to be different, based on audience members and whatever the Narrator comes up with, it's no wonder The Rocky Horror Show has stuck around this long.
All good things must come to an end - and that goes for the show. Ending on its big climax, the cast and crew received a standing ovation from the audience. Just when we thought that was it, the cast comes back for an encore performance of Time Warp and Sweet Transvestite; which pull the audience to their feet for one last dance.
Direct from its record-breaking run in London Groundhog Day the Musical is now playing at Melbourne’s Princess Theatre.
The musical is based on the classic Bill Murray film – with a book written by Danny Rubin who also wrote the original 1993 classic, the synopsis is very close to that of the movie. Phil Connors, a cynical Pittsburgh TV weatherman is sent to cover the annual Groundhog Day event in the small town of Punxsutawney, Pennsylvania. Caught in a time loop, he’s forced to relive the same day again and again… and again.
While the story is familiar, its retelling via the stage is a theatrical masterpiece. It is, in a word, clever.
Whip-smart lyrics and catchy music from Australian favourite Tim Minchin chaperone the audience through a familiar story with an unfamiliar perspective. What could easily be a very boring, monotonous and frustrating performance remains fresh, engaging and funny.
Andy Karl returns as Phil Connors, the role he originated on Broadway which won him an Olivier Award, a Drama Desk Award and a Tony Nomination. It is very clear this is a part that he is very familiar with. He oozes charisma and manages to shift tones effortlessly throughout the performance. The fact that Phil Connors is so incredibly unlikeable and retains empathy and audience support is testament to his ability to shift with tonal changes throughout the production.
Elise McCann also puts on an incredibly display providing a warm counterweight to Phil Connors’ spiky persona. She oozes warmth and sincerity, and continues to maintain a fresh presence throughout – which is no mean feat in a performance that repeats the same day hundreds (if not thousands) of times.
The theatrical craft of this show is wonderful. One particular highlight includes a car chase scene which utilises lighting, blocking and set design masterfully. For a seemingly inconsequential moment in the plot this scene in the first act is a highlight.
Beyond the spectacle, Groundhog Day challenges audiences to look at the supporting players with more context. Playing into the subtle developments of smaller characters (learning to sing, proposing to a loved one) it is a reminder that life itself is a journey for everyone, not just the principal characters. The most notable example of this comes at the start of the second act, with Ashleigh Rubenach playing the role of Nancy. Initially an afterthought of a character, a cheerleader/conquest of Phil Connors’ who is overlooked (both in the first act and in the original movie) Nancy provides some perspective and insight into her own emotions, motivations and perspective. It was telling when watching this song performed live that the audience first started laughing, but then quickly realised their own errors of jumping to pre-established conclusions and stereotypes.
Groundhog Day is not your classic musical, which is a good thing. The story, production value and talent on display will appeal to a wide audience. If there is someone out there who ‘doesn’t like musicals’ then this is a great opportunity to challenge that thinking. All elements work incredibly well together to put on a production that could be enjoyed day, after day, after day…
There will be some people that instantly recognise Malevo, an Argentinian Malambo group who made their way to the semi-final of America’s Got Talent’s 2016 season. Then, there will be some that have no idea what any of that means. There is no doubt that Malevo is an incredibly talented outfit that will delight audiences of all ages and persuasions, regardless of how familiar you are with their work.
This all-male South American percussion group has shared the stage with Puerto Rican popstar Ricky Martin and Cirque du Soleil, and has performed worldwide, including in Las Vegas, New York, Dubai, Cairo and Montreal. And now, the leather-laden troupe is making their way to Australia for the first time.
The style of their performance is “Malambo”, a traditional Argentinian folk dance (not dissimilar to the more familiar Irish dancing – albeit with a lot more flair and arm movement). This definition itself does not do Malevo justice however, as they embark upon an intense performance featuring dancing, rhythmic, choregraphed drumming and ball/string spinning.
Coming into the performance with little understanding or expectation, it was clear very early on that this was a highly rehearsed ensemble, with incredible levels of fitness and meticulous detail given to their craft. With just enough variety between each act, their performance kept all audience members engaged throughout the (almost) 90 minute performance.
Given the show’s duration and the unique nature of the performance, this is an event that both adults and children would enjoy. It is truly a unique offering and the buzz amongst audience members when exiting Melbourne’s sold-out State Theatre was fervent.
Don’t delay purchasing tickets, Malevo are only in Melbourne for a limited time – this truly is a unique event that will be remembered for many years to come.
Photo Credit: Jordan Munns
Opera Australia has partnered once again with Cameron Mackintosh, for his new production of Claude-Michel Schönberg and Alain Boublil's award-winning musical Miss Saigon. Directed by the critically acclaimed Laurence Connor, Miss Saigon follows the tragic story of Kim, an orphan of the Vietnam War, and her doomed relationship with an American GI. Based on Giacomo Puccini's 1904 opera Madame Butterfly, Mackintosh transports the audience into the middle of a war-torn country, and the bustling streets of a city that never sleeps.
Featuring a predominantly Asian-Australian cast, Miss Saigon introduces us to Abigail Adriano as Kim, in her first leading role. Adriano's flawless performance makes it hard to believe this is the first time the 18-year-old is leading - and it is sure to be the start of a successful career onstage. The incredible Seann Miley Moore stars as the Engineer, who is an instant crowd favourite. Moore's impressive background saw the artist captivating the audience with each word and wave of their hand, and was a scene stealer in every moment. Starring as Kim's American lover, Chris, was Nigel Huckle, whose onstage chemistry with Adriano is undeniable - especially in their first duet together, 'Sun and Moon'. In supporting roles are Nick Afoa as Chris' fellow soldier John, Kerrie Anne Greenland as Ellen, Chris' wife, Laurence Mossman as Kim's betrothed, Thuy, and Kimberley Hodgson as Gigi - a veteran Saigon sex worker. Each cast member, swing included, pull out all the stops to make their performance nothing less than perfect, in an awe-inspiring production that will stick with you for a long time.
Minor modifications have been made to Schönberg and Boublil's score, along with Richard Maltby Jr's lyrics, as Michael Mahler has added in a few modern references that'll have the audience smiling. With all characters each getting their time in the spotlight, there are plenty of songs that showcase the cast's talent and vocal skills. Highlights for us included Gigi's solo 'The Movie in My Mind', Kim's raw, emotion-driven 'You Will Not Touch Him' and 'Room 317', and the Engineer's fanfare-ish 'The American Dream' - complete with showgirls and a hotrod.
Miss Saigon's production appears to spare no costs, with rich backdrops and props brilliantly executed by Matt Kinley and Totie Driver. The various scenes paint the stage with rich tradition, and later, neon lighting, as Act 2 sees the production's setting move to Bangkok. A major highlight in Miss Saigon is its flashback scene, which features a show-stopping helicopter, which further drives home the heartbreak and tragedy felt by the war and its victims.
Miss Saigon is running at Her Majesty's Theatre in Melbourne from 29 October - 16 December 2023, before it moves to Adelaide's Festival Theatre from 2 January – 28 January 2024. This is a must-see for musical lovers and theatre-goers alike - just make sure you bring the tissues.
Get your tickets here before Miss Saigon leaves Australia!
Photo Credit: Daniel Boud
The worldwide music sensation MAMMA MIA! The Musical is now enchanting Melbourne's Princess Theatre after a triumphant tour of Brisbane and Sydney. The delightful re-staging of the critically acclaimed 2017 production, skillfully directed by Gary Young, boasts an incredible cast of talent to create an unforgettable experience for audiences young and old. With a phenomenal score of 22 of ABBA's most cherished tracks, the musical magically brings ABBA's euphoric spirit to life in front of your eyes.
MAMMA MIA! transports us to the Greek island of Kalokairi; as we are introduced to radiant bride-to-be Sophie (Sarah Krndija), her proud and multifaceted mother, Donna Sheridan (Elise McCann), and three unexpected visitors - all Sophie's potential fathers. Hilarity ensues as we explore Donna's unresolved feelings for her past lovers, who have all arrived unannounced at her doorstep, right on the weekend of her daughter's wedding.
Elise McCann, celebrated for her previous portrayal of Miss Honey in the Australian production of Matilda the Musical, delivers an extraordinary performance as Donna - embodying the character's depth and complexity as she reflects on her past and explores her future. Sarah Krndija, positively shines in the lead role, with the young bride-to-be a symbol of hope, joy and all the possibilities that lie ahead. The chemistry between McCann and Krndija is undeniable, and a key part of why this production works so well. Supporting them is Martin Crewes as Sam Carmichael, Drew Livingston as Harry Bright, and Tim Wright as Bill Austin - each playing vital roles as Sophie's potential father-to-be, complete with generous backstories into each of their former selves. Special mentions are also due to Lewis Francis as Sophie's fiancé Sky, as well as the dynamic duo of Rosie (Bianca Bruce) and Tanya (Deone Zanotto), whose comedic numbers nearly steal the show.
MAMMA MIA! excels in its exceptional use of ABBA's extensive catalog; backed by incredible choreography by Tom Hodgson and costume design by Suzy Strout. Some of our favourite performances from the cast included Dancing Queen, The Winner Takes It All, Voulez-Vous, SOS, Super Trouper, Take A Chance On Me and of course, Mamma Mia. The musical brings us back to the disco era, encouraging the audience to dance, sing and immerse themselves in the wonderful story unfolding.
In it's essence, MAMMA MIA! The Musical is a celebration of music, love and a story for the ages. Having captivated over 65 million people worldwide, you'll have plenty of laughter, tears, dancing and singing during this extraordinary experience. Come along to the wedding of the century, and witness the magic of MAMMA MIA! The Musical.
Season Details:
Venue:
Princess Theatre
Until:
December 10, 2023
Show Duration:
2 hours and 30 minutes including one interval. (please note lock out periods apply)
The production contains theatrical haze, strobe lighting.
We recommend the show is suitable for audiences 5 years and over.
Tickets and information from www.mammamiathemusical.com.au
Photo Credit: David Hooley
Love Lust Lost is a performance art extravaganza that takes you on a journey below sea level, to the depths of the human condition. This is not your typical theatre show, although it is technically set inside a theatre. It’s a multi-sensory experience; spanning 43 rooms and 1900 square metres of the historic Austral Theatre, with opening night coinciding with the theatre’s 102nd birthday before its imminent demolition.
As you enter the theatre, you are immediately thrown into the ‘choose your own adventure’ style of the performance, faced with the initial decision - left or right? You are free to roam around the theatre, to touch, smell, hear, see and feel everything that surrounds you. As you explore the ship, meeting each of the crew aboard, you will encounter everything from music, dance, theatre, circus, magic and burlesque as you aim to understand the secrets that lie within.
Inspired by interpretations of Hans Christian Anderson’s The Little Mermaid, the show incorporates many significant references to key pieces of music, film, theatre and literature. The show’s creator, creative director and co-writer Kirsten Siddle and stage director Scott Maidment have crafted a stunning spectacle that showcases the talents of a diverse and talented cast of performers.
As you immerse yourself in a world of fantasy and wonder, take note that nothing is as it seems. You will find secret notes, secret passageways and rooms, and secret stories that will reveal more about the characters and their fates. Interact with the performers, get a tattoo, makeover or transformation, and join in the fun.
Love Lust Lost is a show for curious minds and adventurous souls who are looking for something different and exhilarating. Explore the depths with Captain Anderson and his crew, and watch out for the Sea Creature.
LOVE LUST LOST
The Austral, 200-202 Johnston St. Collingwood
Previews from 8 September 2023
Tickets range from $62-$89
On sale now through to 29 October 2023 via Eventbrite
@lovelustlosttheshow
Photo Credit: Jeff Busby
Death of a Salesman is one of the most renowned and influential works of theatre ever created. This latest performance shows us why that is.
Neil Armfield directs a stellar cast in this gripping drama; taking the audience on a journey of hope and despair, and exploring themes of the American dream, family relationships and self-deception. Emmy®, Golden Globe®, and Tony Award®-winner Anthony LaPaglia makes his first appearance on the Australian main stage as Willy Loman, and for over three hours, we were amazed by every subtlety and feeling he conveyed. From his confidence and optimism, to his anguish and denial; the audience were made to sympathise with Willy while trying to comprehend each of the complex interactions at play. LaPaglia's performance is gritty, raw, and emotional - we feel the joy and hope as much as we feel the aches and pains. Alongside LaPaglia, Alison Whyte excels in her portrayal of Linda Loman, Willy's loyal wife. Her performance was genuine, realistic and brought us into her world as much as his.
The set design by Dale Ferguson was simple but effective, creating a sense of realism and intimacy, and allowing the audience to focus on the intricate details of each character's lives. Each character has a significant role in understanding Willy Loman's story, and each performance was as insightful as the next. From the boys' complicated relationship with their father, Biff (Josh Helman) and Happy (Sean Keenan) explore how their own aspirations and dreams are tied to their father's life - a blend of love, resentment, admiration and guilt. In a stellar cast, all performances are notable, and each of the cast members bring something special to their performance. Rounding out the cast are Steve Bastoni as Charley, Richard Piper as Ben Loman, and the supporting company of Elizabeth Blackmore, Manali Datar, Simon Maiden, Louisa Migone, Grant Piro and Tom Stokes.
This production is flawless - it's an absolute classic and the cast deliver beyond expectations. If you have a chance to see this exclusive Melbourne run, don't miss the chance to witness a work of art that will touch your heart and soul. This masterpiece will stay with you long after the curtain falls.
Tickets
Arthur Miller's timeless Pulitzer Prize-winning classic will play for a strictly limited 7-week season at Melbourne's Her Majesty's Theatre, and is on until 15 October.
Tickets are now on sale via salesmanaustralia.com.au
After commencing production in the height of the pandemic a number of years ago and taking on significant risk internationally, this production deserves all the reward, recognition and admiration that it has. Moulin Rouge! The Musical (and theatre in general) has reignited its love affair with Melbourne in a triumphant return to stage.
For those familiar with the production (and Baz Luhrmann’s 2001 film) you will be instantly transported back to Paris as you enter the theatre. The ambience as you walk the red-lit auditorium, including the iconic red windmill and elephant, sets the scene immediately.
From the opening number throughout, this show is a non-stop cavalcade of hits. The show is a jukebox musical in every sense of the word, with over 70 well-known hits blended and mixed throughout the performance. While it can at times be distracting listening out for particular line from a song, the way this show has incorporated these hits is thoughtfully done, smoothly transitioned and appropriates the production for a modern audience.
Most of the original cast remain, and for good reason. The vocal performances from principal cast members including Alinta Chidzey (Satine), Des Flanagan (Christian) and James Bryers (The Duke of Monroth) are stellar and remind audiences of the calibre of talent within Australia. Simon Burke returns as Harold Zidler in a role that successfully keeps the relatively simple story moving, albeit with ferocious pace.
After completing its tour around the country, it is fitting that Moulin Rouge! The Musical bookends its performances in Melbourne. After opening in late 2021, it is so pleasing to see a full Regent theatre relishing in the joyous, debaucherous performances again before this hugely successful musical hangs up its Can Can Skirts.
Even if you saw this show recently, we strongly recommend re-indulging and immersing yourself in a world where freedom, beauty, truth and love reigns supreme.
Photo Credit: Michelle Grace Hunder
Following their success on the West End, 2:22 - A Ghost Story has officially opened in Melbourne, with the supernatural thriller set to bring Melburnian audiences to the edge of their seats.
The captivating and ethereal theatrical masterpiece is an enchanting narrative around love, loss and the enigmatic realms of the afterlife. Written by Danny Robins and brought to life by director Matthew Dunster, we are introduced to the main characters at a dinner party hosted by Jenny and her husband Sam. Their guests, an old friend Lauren and her new partner Ben, are challenged to stay the night to experience the supernatural for themselves, when the house comes alive at 2:22.
Whether or not you believe in ghosts, the audience is brought into a world where time, fate and the spirit realm converge in a mesmerising dance. The Australian production, interwoven with relevant Australian references, also stars an impressive cast of Australia's top talents with actors Remy Hii, Daniel MacPherson, Ruby Rose and Gemma Ward. The cast shine in the deeply immersive storytelling experience; bringing out the best in each other and forcing the audience to confront their beliefs about the unknown and the existence of an afterlife.
The production has striking visual effects, innovating lighting design, and a hauntingly beautiful soundscape - including some of the character's party playlists to lighten the mood. The building of suspense and the raw intensity of the situation is entrancing and thought-provoking, and the play touches on the very essence of the human experience.
2:22 - A Ghost Story is on for a limited season over the next four weeks until August 20. If you are interested in attending to check it out for yourself, please see a link to purchase tickets here.
If you are looking for a musical that will sweep you off your feet with its heartwarming story, captivating music and talented performers, look no further than Once. Director Richard Carroll and musical director Victoria Falconer manage to bring this magical tale to life; telling the story of two people's chance meeting and the impact they have on each other's life. Set in Dublin, Once features quadruple threat performers who play instruments live on stage, creating a vibrant, immersive and intimate atmosphere throughout the show. A love story for the ages, the production explores what happens when you reach out and take a chance on your dreams.
Once is based on John Carney's Academy Award winning film of the same name, and has won eight Tony Awards, four Drama Desk Awards, in addition to being awarded an Academy Award, a Grammy, and an Olivier Award. With the book being written by Enda Walsh, and music and lyrics by Glen Hansard and Markéta Irglová, the popular musical has well and truly arrived in Melbourne and is here to whisk you away. The story centres around a struggling Irish musician, Guy (Toby Francis), who is about to give up on his passion, when he meets a charming Czech piano-player, Girl (Stefanie Caccamo), who takes a sudden interest in his music. Together, they embark on a journey of discovery, friendship and romance, as they write and record songs that reflect their feelings.
The performance in Melbourne is brought to you by the talented Darlinghurst Theatre Company after successful sold-out seasons in Sydney. The cast are incredible; with Francis and Caccamo's stunning vocals and chemistry further supported by a talented ensemble of actors and musicians. The musical is very funny, with characters Bank Manager (Anthony Craig) and Reza (Victoria Falconer) having their moments in the spotlight. It will genuinely surprise you how much you will laugh, when you are already feeling so many emotions throughout. The musical also features some memorable and emotional songs, including Falling Slowly, When Your Mind's Made Up and Gold. There is so much to marvel at with this one-of-a-kind musical, that you really have to see it for yourself to understand the magic within.
Once is a musical that will touch your soul and make you feel alive. It's a rare gem that combines humour, emotion and music in such a unique and beautiful way while managing to avoid the usual clichés. Be sure to catch the show at the Comedy Theatre while you still can.
Once
Dates: 6 May - 4 June
Location: Comedy Theatre, Melbourne
Times: Tuesdays - Saturdays 7:30pm, Saturday matinee: 2pm, Sunday 1pm & 6:30pm
Tickets: Purchase your tickets here.
For phone bookings, call Ticketek on 1300 11 10 11 Monday - Friday between 9am and 5pm.
Despite running for over 70 years on London’s West End, we walked into Melbourne’s opening of "The Mousetrap" relatively blind, ready to enjoy a classic whodunnit which has well and truly stood the test of time.
What followed was a classic performance reminiscent of days gone by. Charming dialogue, classic set design and a central storyline that was both whip-smart and (somewhat surprisingly) funny.
The play revolves around a group of strangers who find themselves trapped in a snowstorm at a remote guesthouse, where they soon discover that a murderer is among them. The tension builds as they try to identify the killer before more lives are taken.
Agatha Christie's writing is renowned for its intricate plotting, and "The Mousetrap" is no exception. The play keeps the audience on their toes, with red herrings, plot twists, and misdirection that will leave even the most astute viewer guessing until the very end.
The characters in the play are well-crafted and diverse, adding to the intrigue and suspense of the story. The themes of trust, suspicion, and deception are explored in depth, as each character's motivations and secrets are gradually revealed.
One of the most impressive aspects of "The Mousetrap" is its longevity. The play has been running continuously since 1952 and has become a cultural icon in its own right. Its success is a testament to the enduring appeal of Agatha Christie's storytelling, as well as the skill of the actors and production team who have kept the show fresh and engaging for over seven decades.
This play is casted perfectly. A balance between Anna O’Byrne’s faultless and classical portrayal of guesthouse owner Mollie Ralston is offset perfectly by the chaotic performance of Laurence Boxhall as Christopher Wren and Gerry Connolly as the mysterious Mr Paravicini.
Overall, "The Mousetrap" is a classic murder mystery that is sure to captivate audiences with its intricate plot, engaging characters, and enduring legacy. It's a must-see for fans of the genre and a testament to Agatha Christie's reputation as one of the greatest mystery writers of all time.
As huge fans of Friends, we have been waiting to see this show for quite a while. Much like a lot of Melbourne productions, this show fell victim to the pandemic and various lockdown restrictions over the last two years. It was great to be able to spend a night out and enjoy some harmless fun.
This show will not likely be of any interest to non-fans. The jokes and parodies are well done, but rely heavily on the show’s immense fandom it has built over its ten-year run and subsequent following since it first hit screens in 1994.
Having said that, for fans of the show (of whom there are many) there is a lot of joy to be had from this 90-minute fast-forward through ten seasons of nostalgia. The major challenge with any parody, especially one with such recognisable characters as Friends, is the need to ‘suspend your disbelief’ and recognise the show for what it is.
Some character interpretations are better than others. Standouts include Tyran Stig as Ross and Eleanor Macintyre as Rachel who encapsulate their characters’ iconic vocal quirks and mannerisms with aplomb. A great addition to the show is the various cameo appearances made by Dom Hennequin, who does an excellent job of maintaining the show’s pace and addressing the audience throughout. Maverick Newman, who plays Chandler, ironically also pulls out a great physical performance in his on-again-off-again love interest Janice.
Throughout the show, there are some great parodies of well-known musical songs, including a Central Perk Tango, as well as a great homage to Rentand Seasons of Love in the show’s final minutes.
Hats off (slight pun intended) must go to the costume department. While the production team are limited by copyright restrictions, the costume department are not. Seeing instantly recognisable costumes on each of the Friends’ throughout are instantly recognisable, iconic and a great piece of fan service.
It is clear that every member of the cast are incredibly talented singers, actors and dancers and it is evident that a lot of work has gone into character development before portraying imitations of these well-known screen icons.
For fans of Friends, this show is a fantastic night out, and a great chance to catch up with friends of your own as a pre-Christmas catch-up while enjoying the sights of Melbourne. Be sure to book your tickets before it closes on 17th December.
Charles Dickens’ classic comes to life at Melbourne’s Comedy Theatre, just in time for the holiday season. Starring the talented David Wenham as the infamous Ebenezer Scrooge, Jack Thorne’s adaptation of the all too familiar story has been transformed by director Matthew Warchus; elevating the classic story to all new heights.
On Christmas Eve, debt collector Ebenezer Scrooge is visited by the ghost of his former business partner, Marley, who is weighed down by chains due to his selfish, greedy ways. Informing Scrooge that he will be visited by three spirits after midnight, Marley tells Scrooge that he must change, or he will face a worse fate. Taking a trip to the past, present and future, Scrooge soon learns that his resistance to change could soon be his downfall.
David Wenham commands the stage as Scrooge; convincing in his initial self-loathing and apathetic portrayal of the character. Wenham plays Scrooge as a complex man, whose battle with the ghosts of his past are painfully relatable. Thanks to Thorne’s writing, Scrooge’s past becomes a lot more relatable - a disapproving father and a lost love shaping the man he is today. It isn’t until Scrooge learns the true meaning of togetherness, that Wenham leans into the childlike wonder of Christmas, with plenty of comedic relief that follows. The supporting cast are nothing short of amazing, with our favourites being Bernard Curry as Scrooge’s employee Bob Cratchit; a doting father and husband who can’t catch a break with his work-life balance, and Debra Lawrance, Samantha Morley and Emily Nkomo as the ghosts of Christmas Past, Present and Future.
One of the production’s many highlights are its beautiful set design. A dazzling sea of lanterns surround the top and sides of the stage; creating an endless display of light. The stage’s moving doorframes and flickering candlelight definitely added to the magic of the play, and the overall whimsy of the story. Supported by beautiful carols sung by the talented swing performers, who also acted as the play’s narrator, the production’s surrounds were just as much a character as the leads.
Adding another layer of magic to the production was beautiful handbell ringing and caroling, which truly made it feel like Christmas was just around the corner. Dickens’ timeless ghost story of redemption has inspired so many adaptions on and off the stage, so seeing the classic tale brought back to basics allowed the true message of connectedness to shine through. A Christmas Carol is playing at the Comedy Theatre until 30 December 2022, and is proudly supporting Foodbank during its run. Buy your tickets online here, and to make sure you’re not a Scrooge, be a Foodbank angel.
Photo Credit: Jeff Busby
Cameron Mackintosh's new production of Andrew Lloyd Webber's The Phantom of the Opera has been heralded as the re-invention of The Phantom for a whole new generation; bringing together a perfect mix of the classic production we know and love, with a new and exciting staging and scenic design. The 37-person cast and 27-piece orchestra make this one of the largest musical productions ever seen in Australia. After a record-breaking season at the Sydney Opera House, Phantom has now arrived at Melbourne's State Theatre.
Based on the novel Le Fantôme de l'Opéra by Gaston Leroux, the phenomenon of Phantom cannot be understated, with over 30 years on a global stage. Whether you are familiar with the story, the music by Andrew Lloyd Webber and lyrics by Charles Hart, or if it is your first time experiencing the magic onstage, the re-imagination brings new light to the dark story of a disfigured musical genius' obsession with a talented and beautiful young soprano.
The talented Australian cast is led by Josh Piterman in the lead role as the Phantom, and Amy Manford as Christine Daaé - both experienced in the lead roles from their time on West End - as well as Blake Bowden as Raoul Vicomte de Chagny. The trio's chemistry is unparalleled and exceptional, and is supported by an entertaining cast. This includes the hilarious co-managers of the Opera House Monsieur André (Andy Morton) and Monsieur Firmin (David Whitney), leading soprano Carlotta Giudicelli (Giuseppina Grech) and tenor Ubaldo Piangi (Paul Tabone), loyal servant to the Phantom, Madame Giry (Jayde Westaby) and her daughter Meg Giry (Mietta White).
Easily one of the biggest reasons that Phantom has had such popularity over the past three decades is the number of incredible ballads performed throughout. In the first act you have Think of Me, Angel of Music, The Phantom of the Opera, The Music of the Night and All I Ask of You, while in the second act there is Masquerade, Wishing You Were Somehow Here Again and The Point of No Return. While the music is what draws you in, the new set design and special effects were fantastic - including the updated take on the show's chandelier. We were quite happy to see the original costume designs from Maria Björnson retained in the new production, bringing the old and new together in perfect harmony.
The Phantom of the Opera continues to be a classic from start to end, and is a story that will be told for many years to come. We are excited to welcome the production to Melbourne for what is sure to be a very successful season ahead.
The Phantom of the Opera will play at State Theatre, Arts Centre Melbourne until 5 February.
Tickets available at Phantomoftheopera.com.au
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Twitter: https://twitter.com/PhantomOpera
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Photo Credit: Sam Dagostino - SDP Media
New musical theatre company Theatrical have debuted their Victorian premiere of Freaky Friday; a musical based on the novel by Mary Rodgers and hit Disney film starring Lindsay Lohan and Jamie Lee Curtis. This modern take set in present day is directed by Bronte Regos Thiele and features music and lyrics by Tom Kitt and Brian Yorkey (If/THEN, Next to Normal). The Chapel Off Chapel production takes the body-swapping comedy to new heights - bringing both heart and soul as hilarity ensues.
Lead characters Ellie (Lyla Digrazia) and Katherine (Stephanie Powell) soar as stand outs in the performance, perfectly contrasting the struggles of adult responsibilities and adolescent relationships in high school. The production is supported by a stellar cast who manage to strike the right balance of comedy we’ve known to expect from this story, while tackling bigger themes around grief and mourning.
The beauty of the story is the audience's opportunity to watch Ellie and Katherine navigate and understand each other's lives, and the empathy that is central throughout the show by walking a mile in each other's shoes. Supported by a number of hysterical tracks including Oh, Biology, Not Myself Today and Women and Sandwiches, this light-hearted comedy understands what audiences love about the novel and Disney film and bring them to life.
Overall, Theatrical’s production of Freaky Friday is a must-see for anyone looking for a fun night out in Melbourne. Tickets are on sale now via theatrical.com.au
Performance Dates
Wednesday 7 September, 7:30pm (preview)
Thursday 8 September, 7.30pm (opening night)
Friday 9 September, 7.30pm
Saturday 10 September, 1.30pm (matinee)
Saturday 10 September, 7.30pm
Sunday 11 September, 5pm (early evening)
Wednesday 14 September, 7.30pm
Thursday 15 September, 7.30pm
Friday 16 September, 7.30pm
Saturday 17 September, 1.30pm (matinee)
Saturday 17 September, 7.30pm
Sunday 18 September 1.30pm (matinee)
Freaky Friday Cast
Ellie: Lyla Digrazia
Katherine: Stephanie Powell
Mike: Michael Gray
Fletcher: Nathaniel Calleja
Adam: Thomas Martin
Savannah: Kate Thurkle
Gretchen: Charlotte Willis
Hannah: Maggie Lynch
Torrey: Tach Sutton
Danielle: Jessi Neilsen Carreño
Dr Ehrin: Jack Lear
Mrs Luckenbill: Isobel Smart
Parker: Michael Polines
Wells: Peter Overton
Laurel: Sarah Genis
Grandma: Melissa Cox
Grandpa: Warren Overton
About Theatrical
Theatrical is a not for profit and registered charity from Executive Producer Andrew Gyopar (If/THEN, Little Women), an independent musical theatre company with a mission to provide opportunities for disadvantaged and underrepresented groups who might not otherwise have access to participate in musical theatre.
Photo Credit: Nicole Cleary
It’s hard to believe that 20 years has passed since Hairspray the musical debuted to rave reviews on Broadway. This show burst onto the American stage and reached international audiences quickly with its inclusive message and incredible energy. Australia was no stranger to the hype with its own ground-breaking adaptation of the musical in 2010 which featured a different creative team to the original. This production provides an Australian audience with the opportunity to witness this beloved performance in its original format and leaves everyone feeling big, blonde, and beautiful.
This production spruiks an impressive cast, with some tried and true favourites. Todd McKenney and Rob Mills both pull out dependable performances in roles that largely allow those around them to thrive. Shane Jacobson is initially unrecognisable as the larger-than-life mother of Tracey, Edna Turnblad – a testament to the hair and makeup department as well as the actor. He plays this role with a charm and consideration that brings the character’s sole to the fore and does not create a caricature which is often the biggest risk in this role.
Of the headlining cast members, Rhonda Burchmore shines. She clearly relishes in the opportunity to play the villainous and conceited Velma von Tussle and (as we’ve come to expect over the years) makes the most of her striking stage presence. Asabi Goodman also shines in the role of Motormouth Maybelle – her vocals are exquisite.
Despite this, it’s the younger cast members who really bring this show to life. Carmel Rodrigues absolutely knocks it out of the park and holds this frantic show on her shoulders with aplomb. Sean Johnstone and Mackenzie Dunn are also excellent in their respective roles as Link Larkin and Penny Pingleton. But it’s Javon King who commands the stage as Seaweed J Stubbs with an incredible physical and vocal performance throughout – but particularly during “Run and Tell That”.
This show is, in a word, fun. It’s an inclusive, positive story that celebrates the person inside. The 1960’s were a difficult time in America for a lot of people. While Hairspray doesn’t gloss over these issues by any means, it manages to capitalise on the enthusiasm, the energy, and the hope that we still rely on today when looking forward to a brighter future.
Even if you think you’ve seen this show already (either the stage production or the movie), do yourself a favour and head off to the Regent Theatre. You can’t stop the beat.
Get your tickets to spend time with the nicest kids in town here.
Photo Credit: Jeff Busby