St Kilda Film Festival (SKFF)

4-14 June,2026

stkildafilmfestival.com.au

The curtain is about to rise for the St Kilda Film Festival (SKFF), revealing its most diverse and

thought-provoking program yet, of almost 200 short films curated from record submissions. From 4-14 June, film lovers will be awed and astonished by films celebrating the depth, diversity and originality of Australian cinema.

Proudly presented by City of Port Phillip, the festival will transform St Kilda into a hub for audiences and filmmakers alike, with screenings, special presentations and industry events across iconic venues including the Palais Theatre, the Astor Theatre and St Kilda Town Hall.

With 15 awards up for grabs, the festival’s prestigious Top Shorts competition showcases the very best Australian short films and is an Academy Awards® qualifying event. This year, the competition received a record-breaking 960 submissions, seven per cent more than the previous year.

Across the program, audiences can experience everything from local stories and the best of comedy to horror and experimental works. The line-up includes films starring and created by major Australian talent, including Hugo Weaving, Kat Stewart, Colin Lane and Sophie Wilde, alongside new work from filmmaker and performer Ed Oxenbould and animator Michael Cusack in his live-action debut.

Special events include a red-carpet opening gala at the Palais Theatre on 4 June, followed by a stand out night at the Astor Theatre on Friday 5 June, where PBS brings its cult radio show Stone Love to the stage for a live broadcast. This is followed by St Kilda Rocks, featuring two documentaries on

seminal St Kilda venues, Last Drinks (1996) about the Prince of Wales Hotel which has only been screened publicly once before, and Punkline (1980), about the Crystal Ballroom. Other highlights

include the Live Cinema Experience, where films are created in real time before an audience, along with filmmaker Q&As and one-off screenings.

The festival’s youth competition, Under the Radar, continues to champion filmmakers aged 21 and under, with 135 submissions this year, highlighting the strength of Australia’s next generation of storytellers.

First Peoples Showcase: Black As (June 7)

Join acclaimed filmmaker David Batty for a special First Peoples screening and conversation event. Black As takes audiences off track and into the wilds of Arnhem Land, following a group of hunters navigating country, culture and connection in the face of unexpected challenges. SKFF First Peoples program is proudly presented by CitiPower.

St Kilda Rocks (June 5)

At the Astor Theatre, St Kilda Rocks brings together two documentaries on seminal St Kilda music venues in one special event. The session features Punkline (1980), capturing the legendary Crystal Ballroom, an iconic venue that helped shape Melbourne’s live music scene in the 70s and 80s, hosting artists such as Nick Cave, The Cure, New Order and the Dead Kennedys, alongside Last Drinks (1996), a rare screening marking its 30th anniversary and only its second public showing, chronicling the final days before the first renovation of the Prince of Wales Hotel.

Together, these films offer a raw and unfiltered look at the people, places and culture that defined an era. The evening kicks off with a live PBS broadcast of Stone Love with Richie 1250 and special guests, and concludes with a Q&A featuring the filmmakers and producers.

Australian Comedy Showcase (June 5)

One of the festival’s fastest-selling sessions, the Australian Comedy Showcase delivers a laugh-out-loud start to the long weekend. This sharp and chaotic line-up dives into the absurdities of modern life, from relationship misfires and family dysfunction to social slip-ups and internet-age anxieties. Followed by a filmmaker Q&A.

Tales of Mystery & Imagination: System Error (June 6)

Exploring humanity’s relationship with technology, this genre-blending session dives into AI, digital worlds and the blurred boundaries between human and machine. Mixing sci-fi, comedy, horror, drama and fantasy.

The Big Picture (June 6)

The festival’s free filmmaker development day presented by JMC Academy. Featuring 42 panels, workshops and networking events, the initiative offers a full day of hands-on learning, industry insight and connection for creatives at all stages of their careers.

Live Cinema Experience (June 8)

A unique, real-time filmmaking event led by award-winning director Michael Beets. Watch as four teams create, edit and score short films live in front of an audience, offering a rare behind-the-scenes look at the filmmaking process as it unfolds.

Pride Without Prejudice: LGBTIQ+ Showcase (June 13)

This quick-to-sell-out showcase celebrates the sparkling diversity of Australia’s LGBTIQ+ creative community. Expect a mix of comedy, horror, animation and deeply personal storytelling, followed by drinks and networking at the Victorian Pride Centre.

Shifting the Gaze presented by WIFT Vic (June 13)

A standout program of films by women and gender-diverse filmmakers, highlighting some of the most exciting voices in Australian screen culture. The session concludes with a filmmaker Q&A and industry networking opportunities.

Made in VIC Part 1 & 2 (June 14–15)

A celebration of Victoria’s thriving screen industry, these popular sessions showcase a dynamic mix of comedy, animation, drama and genre filmmaking. A fitting close to the festival, spotlighting the future of Australian

cinema.

Faceless, directed by Fraser Pemberton and William Jaka

An award-winning First Peoples film, Faceless follows an Indigenous man navigating three parallel lives along the Birrarung-Ga in Naarm. Moving between life on the margins, the arts and the corporate world, the film offers a powerful exploration of identity, belonging and what it means to exist within contemporary Australia.

Baby Shower, directed by Matt Day

Starring Hugo Weaving alongside a stellar ensemble cast. Heidi's baby shower descends into chaos when her estranged father crashes the party. You can escape your past, but you can never really escape your family.

Stranger, Brother. directed by Annelise Hickey

When Adam, a self-absorbed and lonely millennial, wakes to find his estranged half-brother on his doorstep one morning, he must face the family he's been running away from.

THE CEO, directed by Michael Cusack

From acclaimed animator Michael Cusack (Smiling Friends, YOLO) comes his new live-action film. A successful CEO becomes a billionaire and uses this milestone effect to tell the girl who broke his heart decades ago that he finally succeeded in life... or has he?

While We Still Have Time directed by Ava Grimshaw-Hall

A woman embarks on a journey to connect with her sperm donor father, John, as he battles aggressive cancer. Together they explore their unique bond, seeking understanding and closure amid life's uncertainties.

The Shirt Of f Your Back, directed by David Robinson-Smith

Directed by previous Best Director Award winner David Robinson-Smith. Two brothers recount their perspectives on a real encounter with a stranger who stopped them to buy one of their shirts on Christmas Day. As their retellings unfold, the man's identity shifts and morphs, filtered through childhood memory, fear, and the subconscious ways we process the unknowable.

The Dysphoria, directed by Kylie Aoibheann

A trans woman performs a Satanic ritual to get a vagina but unwittingly invites a demonic presence into her home that demands a terrible sacrifice. Working within the mould of classic demonic horror, the film explores the very real sacrifices trans people must make in order to be who they are.

Calm the F**k Down, directed by Helen Gaynor

A powerful and confronting documentary, this session explores the psychology of family violence through a role-reversal experiment. Followed by a live discussion with director Helen Gaynor and the participants.

City of Port Phillip Mayor Alex Makin said “From 4–14 June 2026, our city comes alive once again as bold ideas, inventive storytelling and the very best of Australian short-form cinema take centre stage. As Australia’s longest-running short film festival, the St Kilda Film Festival reinforces the City of Port Phillip as a creative powerhouse, championing emerging talent while celebrating the achievements of Australia’s most accomplished filmmakers.”

SKFF Director Richard Sowada said “In spending so much time with this great selection, I have a

feeling that 2026 marks a turning point for the short film format in Australia to my eye. We know that some filmmakers who have featured in the last couple of years of St Kilda Film Festival are now in preproduction with features or embarking on massive cinematic adventures, and that momentum has some serious presence in this year’s program. So much confidence. So much risk. So much ambition. It’s just great.”

VicScreen CEO Caroline Pitcher said “The 2026 St Kilda Film Festival program celebrates the talent, diversity, and cinematic excellence on display across Australia, while nurturing the next generation of screen storytellers. We’re proud to support St Kilda Film Festival as it continues to cultivate and champion local production and talent.”

St Kilda Film Festival (SKFF) returns to the big screen across Thursday 4 June – Sunday 14 June 2026. SKFF is Australia’s longest-running short film festival, recognising the genre of short film, including music videos, gaming and immersive forms.

For full program details and bookings, visit: stkildafilmfestival.com.au

Photo Credit: J Forsyth

The National Gallery of Victoria’s latest fashion showcase shines a light on the iconic visionaries Vivienne Westwood and Rei Kawakubo; both trendsetters in their own right. 

At exhibit Westwood | Kawakubo, the NGV doesn’t just hang clothes on mannequins and call it a day - it stages a confrontation. Bringing together the works of Westwood and Kawakubo, the exhibition feels less like a retrospective and more like a dialogue between two designers who never asked for permission, and frankly never needed it. Both emerged in the 1970s as self-taught disruptors; rejecting the rules of fashion and instead using clothing as a tool to question beauty, gender and power.

From the moment you step inside, the exhibit leans into that tension. Westwood’s legacy is loud, punk, political, and defiant. Kawakubo’s by contrast, is quieter but no less confrontational; sculptural, abstract, and almost alien in its refusal to flatter the body. The NGV’s thematic curation - moving through ideas such as ‘Punk and Provocation’, ‘Reinvention’, and ‘The Body’-lets these differences collide in a way that feels deliberate rather than forced. 

Westwood’s pieces revel in contradiction: corsetry that both restricts and empowers, alongside layering and historical silhouettes reworked with a rebellious sneer. Her work was shaped by, and helped shape London’s punk scene; taking on themes of anti-establishment, confrontation, and politics. In contrast, Kawakubo dismantles the body entirely. Her garments swell, distort, and refuse to behave, turning clothing into something closer to sculpture than fashion. At times, it’s hard to tell where the body ends and the garment begins- and that’s exactly the point.

What makes the exhibition hit is how clearly it frames both designers as rule-breakers, not just stylists. These are clothes that reject the idea of clothing itself. Kawakubo has long pursued garments that ‘did not exist before’, pushing past function into pure concept, while Westwood weaponised fashion as activism, embedding political messages directly into her work.

There’s a risk, in exhibitions like this, that the garments become static - beautiful, but untouchable relics. Westwood | Kawakubo mostly avoids that. The staging feels alive, and holds space for two designers whose work was never meant to sit quietly. 

With over 100 pieces spanning decades of work, the exhibit encourages viewers to look on in discomfort at pieces that challenge traditional fashion. Ultimately, Westwood | Kawakubo isn’t about fashion - it’s about resistance. What happens when clothing stops dressing the body and starts challenging it? What does it mean to reject the expected and build something new in its place?

The exhibit is inspiring, but not in the traditional sense. Find yourself at this exhibit, and you’ll find yourself unsettled - maybe a little confronted - exactly as Westwood and Kawakubo would intend to. 

After dazzling audiences in 2023, MAHO MAGIC BAR has made its highly anticipated return to Melbourne - and after seeing its last run, we can safely say the magic is still very much alive. Now playing at the Spiegel Haus in the CBD, this neon-lit immersive experience brings the heart of Tokyo nightlife to an intimate corner of the city. Whether you’ve been before or you’re seeing it fresh, MAHO MAGIC BAR is one of the most joyful and jaw-dropping nights out you can have.

From the moment you walk in, you’re transported. Inside the Spiegel Haus, the venue is transformed into a vibrant bar where you’ll sip Japanese-inspired cocktails while seated just centimetres away from the action. With each magician finding their way to you, the night is filled with impossible sleight-of-hand tricks, hilarious crowd interactions, and mind-bending illusions right at your table. With the opportunity to order your own magic tricks at the bar, you can trust that no two nights are ever the same. 

Watch in amazement as each of the magicians - Shirayuri, Kaori, Wambi, E.O. Lee, AXE and Jonathan showcase their special set of skills. Every seat is the best seat in the house. The up-close magic, the rotating acts, and the crowd participation all add to the magic of the experience. 

Playing now until Sunday 15 February 2026, MAHO MAGIC BAR is more than just a show - it’s a fully immersive night of wonder, drinks, and cheeky Japanese fun. 

Buy your tickets today. 

Photo Credit: Jeff Busby