Most people will be familiar with the premise of this classic play by Neil Simon. This is more likely due to the classic sitcom from the 70’s as opposed to the success of the original performance which debuted on Broadway in 1965. I was surprised to learn that the play inspired the film and sitcom, but this distinction is important. The notion of up-tight, fastidious Felix living alongside the slovenly and unkempt Oscar is a timeless notion in itself, and to see its origin portrayed on the stage as originally intended is a pure delight.
The stars of the show, Todd McKenney and Shane Jacobson are fantastic. Todd McKenney has a remarkable physicality and his ability to throw his voice and adapt to the American twang of the neurotic Felix is incredible. As someone so prevalent in media, it is easy to forget his talent, meticulously crafted and improved over decades of performances. As someone so prevalent in musicals, it is also easy to forget how much of that talent includes his ability to act. Shane Jacobson’s performances have always been relatable and enjoyable to witness. It takes some time to become accustomed to his American mannerisms (Kenny is an Australian icon after all) but once you embrace the character and his environment, the performance is strong. The chemistry between both leads is great (as first identified in their collaboration during Hairspray last year) which is just as well. The play is relatively lengthy and held together by two performers who clearly respect one another and fastidiously support the other’s space on the stage.
In terms of the play itself, it takes some time to warm up, and the interval comes at a good time. The first act feels long however this is most likely due to the familiarity the audience have with the Odd Couple’s traits. What does hold up and absolutely stands the test of time is the performance by Lucy Durack and Penny McNamee as the Pigeon sisters from London. Their enthusiasm and bubbly natures exude aplenty upon the audience and everybody’s energy levels lift accordingly. Durack stamps herself clearly as a talented actor with impeccable comedic timing. Again, the chemistry with Penny McNamee is impalpable and both women earn their warm rounds of applause throughout the play.
The set is simple yet effective. A New-York apartment which goes through various states of tidiness dependent on the course of the co-habitation – a great tool to demonstrate both character’s odd styles of living.
A well-rounded supporting cast including Laurence Coy, Anthony Taufa, John Batchelor and Jamie Oxenbould are well utilised and provide additional unbiased perspectives on the polarising lead’s personality traits.
A play and film in the 60’s, a sitcom in the 70’s – while there have been attempts to revamp this story again since, the best way to understand the odd couple, appreciate the premise and have a good old-fashioned laugh at a fairly relatable concept is to witness this performance first-hand. With such a strong, talented cast and a platform to display their acting abilities and flawless comedic timing, this is a performance well worth witnessing first hand.
Photo Credit: Pia Johnson