Entering a dazzling Regent Theatre in Melbourne, eyes light up with wonder and excitement.
Cinderella is one of the most recognisable and nostalgic Fairy Tales and has been adapted and re-told countless times across various mediums. It begs the question (especially with Andrew Lloyd Webber’s new adaptation of the same name currently open in London) whether this production is indeed relevant to current audiences. The answer is a resounding yes.
Rodgers and Hammerstein’s Cinderella is a unique offering. It was first written for television in 1957, with early pantomime and stage productions following suit. The book was then re-written and adapted for modern audiences on Broadway in 2013. It offers a modern twist on a traditional story yet retains its endearing charm with timeless music and lyrics reminiscent of days gone by. With so many new shows and exciting developments to theatrical productions in recent years, it is humbling to sit back and take in the familiar sounds of Richard Rogers’ score and Oscar Hammerstein’s lyrics.
The casting in this production is perfect. The diverse selection of Shubshri Kandia in the principle role is refreshing and her beautiful performance carries the production seamlessly throughout. Ainsley Melham also portrays a Prince with a different kind of charm – one that is relatable and humble. Both leads exude chemistry and their voices blend together delightfully.
Silvie Paladino is exquisite. A seasoned professional who flies above all expectations (literally), she truly encapsulates the magic and wonder that sends the audience on its journey. Todd McKenney also reminds us of his talent throughout this performance. In a rare acting only role, McKenney is at first unrecognisable – no mean feat for someone with regular exposure to the Australian public. In the role of Madame (the evil stepmother) Tina Bursill also effectively portrays a hardened matriarchal figure with a commanding presence.
One of the biggest stars of this production is the costume design. With magical transformations and flying fairy godmothers beforehand, it is the “Waltz for a Ball” at the end of Act I which is an absolute highlight. It is a perfect display of the beauty, charm and magic that has captured hearts and imaginations for centuries.
This is the perfect show for grandchildren, grandparents and everyone in between. A true call-back to traditional theatre with some healthy modern amendments.